Welcome to Gopinatha dham.
Now it is 2006. Five years have passed since we moved here.
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Working hard we’re proceeding along with our plan to open a gallery with images, displays, dioramas and items of interest from three well known holy places of India [Mayapura, Jagannatha Puri and Vrindavana].
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As well as working on the gallery, we’ve worked on some simple facilities for guests or travellers to Perth who’ve an interest in spiritual subjects.
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See here how, year by year, with few hands but strong enthusiasm we have gradually progressed
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Oh, and of course, with the blessings of our Gopinatha to whom we are dedicating all our efforts.
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When we first saw this property we wondered if Gopinatha wanted to live here. Nestled beside a large bushland reserve, it was far larger than we had in mind, but the facilities intrigued us.
A large spacious house
which could become an ashram
double garage for our gallery
Pleasant gardens surround the house
The large shed provided accomodation and excellent workspace
We were looking for a place to both live and have Gopinatha's Gallery, but we could not conceive of getting something this grand.
AUSPICIOUS BEGINNING
Before entering the vacated house, we performed a simple purificatory ceremony. We also took Srila Prabhupada from room to room, whilst sprinkling sacred water. Finally we offered arati to the Deities and Srila Prabhupada in what was soon to become our new temple room.
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Work begins on building further accomodation → → →
A northern extension to the main house was designed
The ground breaking ceremony is performed on a cold rainy morning
then construction begins......
the foundation is poured
walls up, roof on
nearly complete
exterior now painted
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Our next challenge.
Within a field, at the far end of the property, a small transportable cottage becomes a simple, scluded dwelling overlooking the park.
This will be Bhurijana prabhu's residence when he is in Perth.
footers are laid
bring in the old " transportable"
This one is going to need a LOT of work ! ! !
The devotees begin recladding
then add a new front entrance
and a verandar
finally ,when the work is complete...
Bhurijana Prabhu returns and moves in
Paving is required around the newly built extension, but our funds are limited.
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second hand pavers have to be lifted
loaded onto the trailer
then unloaded at Gopinatha dham
and stacked for use
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The driveway is our first attempt
Soon we are paving all around the front of the house
Everyone taking part and contributing some hard, manual-work
The back bone of our team - Ananda Tirtha, Jaya Gurupada [jiggz] and Sri Radha Ramana
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Midway through 2003 [at last] the gallery becomes our main focus. Here too,in making the gallery, we have to be very frugal.
First the basic work to renovate the garage is underway: some basic steps are taken,
Marble tiles are laid
then carpet
Flooring and painting is all complete by the end of 2004....
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working with Yamuna Acharya on design features
setting up goes on - coming slowly closer to completion
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January brings us shocking news. Suci Rani is diagnosed with an aggressive terminal cancer and given one year to live. Suddenly our excited mood changes as a painful time begins.Energy is directed towards helping her. Ananda Tirtha, her son, arrives at Gopinatha dham to help.
By mid September 2003 Suci leaves Gopinatha dham.
She will end her journey in Vrindavana, January 2004.
see - Suci's Memorial Section_Those Involved_2002
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Despite tragedy, fields require slashing - trees demand pruning - lawns need mowing - gardens weeding.
Returning to Gopinatha dham after Sucirani's departure , an invitation arrives inviting Gopinatha and His dioramas to England for a Janmastami exhibit at the Manor.
We return to Gopinatha dham
in 2005, only to discover that our massive diorama marathon has resulted in successfully completing the required amount of displays to fill our gallery.
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Quite suddenly the idea of renovating the large entertainment room next to the gallery takes our attention. Our desire was eventually to use this room, however we have neither plan nor finances to do so right now.
The fine wooden bar, the surrounding wall of mirrors, the carpet and the wall paper all have to go
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At first, it appeared we had drifted from our intention to complete the gallery. In fact we had unexpectedly doubled the size of our project. Since the house was designed for open plan living, we now faced challenges in creating autonomy. First we walled up the open section between the living space and the new gallery renovation area.
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Next question:
Where to create a new entrance ?
After much consideration this became the next chapter of the "renovation saga."
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Oh dear, the entrance way. Again, another delay
It soon became clear that the ideal place would be behind this curved wall covered with Ivy.
However this wall conceals the pool pump and other features of the large swimming pool that occupies most of the inner courtyard behind the house.To break this wall would mean the pool has to go.
How to enhance the outside area? What to do next with the pool ?
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We decide to create a walkway, with kind help and assistance of friends.
it's going to be a very looong process
The pool is almost full. We are waiting to see what to do with this courtyard after we complete our gallery.That will be the story of another time.
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While visiting Sri Mayapura Dham in November 2005, I wondered what we should collect from this transcendental place to fill the Mayapura section of Gopinatha's Gallery.
Inspiration created a desire to bring the PancaTattva to Perth.
Jananivasa Prabhu agreed to oversee the making of a diorama-like relief of the Panca Tattva.
We will pick Them up at the end of 2006 and bring Then to Gopinatha dham
Lets see what happens next...
The flooring is down and two large skylights have been fitted.
The room is now ready to display installations from Mayapura and Jagannatha Puri.
Once again we are perplexed.
What to do next? How to begin this next phase of construction? We decide to complete the rest of the renovation work and wait for some sign.
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We take the time to convert the small shed next to the shack into a simple office. Another smaller shed is repaired and repositioned nearby for use as a storage facility. Then a secondhand carport, painted by Palika is set up beside the shack, and Linda plants a nice garden.
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One day we receive a phone call from someone visiting the Hare Krishna restaurant. He had noticed a small sign Sri Radha Raman had posted, inviting anyone interested to help with some calligraphy.
Although he didnt know any calligraphy, Rob was curious.
When he visited Gopinatha dham he saw and heard what we were trying to do. For years I had envisioned this work, but without facility or ability to execute the ideas .
Rob noticed that we were serious, but totally incapable of proceeding. He showed interest in our project. Gopinatha had sent him: we decided to beg his help.
Together we begin designing and creating a strategy for the Puri installation.
First we cut 3.5 sqr mtrs out of the newly laid flooring
and using 80kg blocks , with Linda, Jason and Rob's full strength we laid a platform.
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Replacing the long mirrors from the previous wall panels and adding bamboo, a partition is made. This forms the second side of a black tent-like enclosure.
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Alongside this Puri section we will have a section dedicated to Sri Mayapura Dham, with items and images from Mayapura on display.The main highlight there will be a small section of a thatched hut.
Last year when visiting Mayapura, we had bamboo thatched panels made and shipped to Perth. Mayapura huts are built using a bamboo frame, but our small room space requires a metal one.
Mark welds the frame
Rob prepares the area
The third and forth side panels of the Puri enclosure go up, creating the entry and exit.
Rob decides to make an archway into Puri, which is now underway.
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